Cinefex Magazine April 1985 No. 21 The Terminator, Dune


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The magazine is in good condition. It is a complete copy but shows moderate signs of age and wear, corner creases, or light surface wear. The photos show the exact item you will receive. Please review all pictures for full condition details. Combined shipping is available. Each issue ships in a protective plastic sleeve.


Note: The content list below is digitally transcribed for searchability. Please refer to the photos for the exact Table of Contents.

TABLE OF CONTENTS

The Terminator .............................................................. 4
When writer-director James Cameron first conceived of The Terminator, it was little more than a visceral image of a human cyborg emerging from a fire in its basic skeletal form. What it became was a modestly-budgeted blockbuster. To bring his image to life, Cameron engaged the services of Stan Winston — whose seasoned team of makeup and mechanical effects experts created the full-size robotic skeleton, as well as several lifelike representations of actor Arnold Schwarzenegger. For futuristic post-holocaust views of Los Angeles, plus contemporary pyrotechnics and stop-motion effects, the expertise and talents of Fantasy II were brought to bear. With minimal funds, but a wealth of creativity and enthusiasm, The Terminator’s effects uplifted Cameron’s searing image into both a thrill-a-minute adventure and a major box-office event. Article by Jennifer Benidt.

The Shape of ‘Dune’ ......................................................... 24
Despite enormous popularity as a novel, twenty years would elapse before Frank Herbert’s Dune would make the quantum leap from printed page to cinematic reality. The imposing challenge of adapting the widely-read cult classic — a saga rivaling the novel itself in epic proportion — would ultimately be met by writer-director David Lynch. In consort with cinematographer Freddie Francis, production designer Tony Masters, and a battery of high-powered effects supervisors including Carlo Rambaldi, Albert Whitlock, Barry Nolan, Kit West and Brian Smithies, Lynch would labor diligently for three-and-a-half years to bring his vision of Herbert’s exotic world to life. From the worm-infested deserts of Arrakis to the murky decadence of Giedi Prime, Lynch and his production unit combined a wealth of experience with fresh innovation to weave the richly-textured tapestry of Dune. Edited by Janine Pourroy and Don Shay.

FRONT COVER — A cyborg endoskeleton emerges from the flames in The Terminator. A spice harvester scours the sands of Arrakis in Dune — BACK COVER.

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