Cinefex Magazine November 1992 No. 52 featuring a striking cover image of a mother and child surrounded by electric energy, from the film Honey I Blew Up the Kid.
Interior page of Cinefex Magazine No. 52, showcasing the Table of Contents with articles related to visual effects and cinematics, including 'Honey I Blew Up the Kid'.
Cover of Cinefex Magazine November 1992 No. 52 featuring promotional art from Honey I Blew Up the Kid with emphasis on digital effects by The Computer Film Company.
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Cinefex Magazine November 1992 No. 52 featuring a striking cover image of a mother and child surrounded by electric energy, from the film Honey I Blew Up the Kid.Interior page of Cinefex Magazine No. 52, showcasing the Table of Contents with articles related to visual effects and cinematics, including 'Honey I Blew Up the Kid'.Cover of Cinefex Magazine November 1992 No. 52 featuring promotional art from Honey I Blew Up the Kid with emphasis on digital effects by The Computer Film Company.

Cinefex Magazine November 1992 No. 52 Honey I Blew Up the Kid VG

Original Magazines
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The magazine is in very good condition, showing only light edge wear. The photos show the exact item you will receive. Please review all pictures for full condition details. Combined shipping is available. Each issue ships in a protective plastic sleeve.

Note: The content list below is digitally transcribed for searchability. Please refer to the photos for the exact Table of Contents.

TABLE OF CONTENTS

Commercial Spot: Simian Simulation .......................... 9
Commercial Spot: Elevator to the Stars ..................... 14
Quick Cuts: Video Hell ............................................... 17

Blowing Up Baby .......................................................... 22

When Disney was making Honey, I Shrunk the Kids, its own in-house effects facility lacked both the equipment and the personnel to take on the assignment. Three years later, Honey, I Blew Up the Kid would mark the reemergence of Buena Vista Visual Effects. Providing support were eleven other effects companies, including CIS-Hollywood and Sony High Definition in their feature film debuts. Article by Jody Duncan.

Life Neverlasting .......................................................... 54

Among the effects challenges of Robert Zemeckis’ black comedy, Death Becomes Her, were the unlikely depictions of Goldie Hawn as a two-hundred-fifty-pound blimp and Meryl Streep with a twisted-around head. The effects teams at Industrial Light and Magic and Amalgamated Dynamics Incorporated joined with makeup artists Dick Smith and Kevin Haney to realize the comically horrific tale. Article by Kevin H. Martin.

Quick Cuts: Panic on Liberty Island ............................ 79
Profile: Alan Munro ...................................................... 84
Video Beat: Morphing to the Madness ....................... 88
Laser Revolution: The Lost World Revisited ............... 92
Effects Scene: Therapy in Pen-and-Ink ....................... 95

COVER — Adam and his mom are restored to size in Honey, I Blew Up the Kid.

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