Description
The magazine is in good condition. It is a complete copy but shows moderate signs of age and wear, such as corner creases, spine stress, or light surface wear. The photos show the exact item you will receive. Please review all pictures for full condition details. Combined shipping is available. Each issue ships in a protective plastic sleeve.
Note: The content list below is derived from the issue's directory. Please Note: The only pinups included are those depicted in the photos.
TABLE OF CONTENTS
ARTICLES
MIKE WALLACE ON THE SPOT . . . And then they ran out of vitriol — Edith Efron 21
KING SAUD’S HAREM . . . Alas, he can have but four wives! — Maria La Yacona 38
G-STRING GOMORRAH . . . The honky-tonk country is between midnight and dawn — Nelson Algren 47
ARE YOU A COWARD? . . . Then you don’t know how much fear is too much — Caroline Bird 54
A BRIEF FOR BASTARDS . . . Their troubles nowadays are mainly psychological — Richard Hanser 64
MADISON AVENUE IN POLITICS . . . Both parties need communications experts — Richard L. Neuberger 78
A PROFILE OF THE DAILY WORKER . . . Communism’s little-read mouthpiece — Martin Mayer 113
PERSONALITIES
THE CLARIFICATION OF AUDREY HEPBURN . . . She’s in focus when supremely herself — Robert W. Marks 50
WORLD’S MOST HATED DIPLOMAT . . . India’s Minister of Defense, V. K. Krishna Menon — Serrell Hillman 58
A PLAY
THE QUARE FELLOW . . . Act One of a current London hit — Brendan Behan 24
FICTION
VILLAGE GREEN . . . The sound but not the fury — Mann Genchell 70
PICTORIAL
VIKKI AND THE BEAUTIFUL EGRESS . . . Logical conclusion — Photography by Don Ornitz 35
ST. LOUIS BLUES . . . Progress has no dreams to sell — Drawing and verse by E. Simms Campbell 52
THE LIFE OF A FIFTY-DOLLAR FIGHTER . . . Hi, Mom, I made it — Photography by Hugh Bell 68
LISA’S LULLABY . . . Good vs. smart little girls — Photography by Louis Renault 110
WEARABLES
ESQUIRE’S FALL FASHION FORECAST . . . In thirteen scenes 85
THE ELEGANT AIR . . . You have it here in a restraint of riches 86
THE CAMEL’S BACK . . . As a color, and as a luxurious camel’s hair 87
THE CLASSIC COVERT . . . Now it has new tones and soft stripes 88
WRAP COATS . . . The elegance of natural cashmere; the accent of brilliant linings 89
HOT RED . . . For week-end wear red’s the color, shawl collar’s the news 90
CONVERTIBLES . . . Reverse these jackets and you’ll still be right 91
GLOSSED LEATHERS . . . High-polish leathers have the easiness of wool 92
STRIPED FOR ACTION . . . These go from brilliant to muted tones 94
PENNYTONES . . . These coppers belong on the campus or the course 95
CORDUROY . . . Corduroy is tailored now and you also see it far from campus 96
LODEN . . . Loden cloth plus cashmere for your new nap of luxury 98
COORDINIKNITS . . . The put-together look, for sports wear or for business 99
WEATHER-ALLS . . . The short and the long of it, for dark days and sunny 100
TRAVEL
THE PACIFIC-ORIENT SPECIAL . . . Off-trail traveling in off-trail regions — Richard Joseph 43
VACATION NOW . . . Planning ahead for your Far-Eastern tour 101
GIFTS
ESQUIRE’S GIFT GALLERY . . . Exotic foods from many nations 108
DEPARTMENTS
Publisher’s Page: ESQUIRE CARTOON BOOK 8
THE SOUND AND THE FURY 10
ESQUIRE ON RECORD 16
BACKSTAGE WITH ESQUIRE 19
GENTLEMAN’S ADVISER 106
DINING IN/OUT WITH ESQUIRE 122
TALKING SHOP
SHOPPING FINDS . . . beginning on 125
CREDITS:
On the cover: After-six suit by Rudofker, Raney shirt, Nunn-Bush shoes, Dobbs hat. Brendan Behan photograph, page 33, is by Hulton-Black Star. The gown Miss Logan wears on page 37 was designed by Elsa Jungschaffer of Hollywood. Photograph on page 44 is by Dennis Stock; those on page 45 by Horace Bristol, David Linton, Ewing Krainin and A. M. Bailey. Audrey Hepburn photographs on pages 50 and 51 are by Sam Shaw. She is starring in The Nun’s Story, a Warner Bros. production. V. K. Krishna Menon photographs on pages 60 and 61 are by Wide World. The photograph of Senator Richard L. Neuberger on page 79 is by Burt Glinn. For the Esquire’s Fall Fashion Forecast, the black and white photograph is by Emma Gene Hall; the photographs on pages 87, 90 and 95 are by Ben Rose; those on pages 92 and 93 by Robert Monroe; the drawings on pages 86, 89 and 99 are by Al Pimsler; those on 94 and 97 by Mary Suzuki. The photographs on pages 113 and 114 are by George Moffett.
ADVERTISERS’ INDEX . . . 121







