Millimeter Magazine February 1977 John & Faith Hubley Special Animation Issue VG


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The magazine is in very good condition, showing only light edge wear. The photos show the exact item you will receive. Please review all pictures for full condition details. Combined shipping is available. Each issue ships in a protective plastic sleeve.


Note: The content list below is digitally transcribed for searchability. Please refer to the photos for the exact Table of Contents.

TABLE OF CONTENTS

12 THE ANIMATED COMMERCIAL
A concise retrospective view of the television animated commercial from the late 1940’s to the present . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . by Arthur R. Ross

18 LEN LYE: Composer of Motion
The great Renaissance Man of the avant-garde, Len Lye at 75, in a rare and revealing interview . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . by Joseph Kennedy

25 FISCHINGER AT DISNEY (Or, Oskar in the Mousetrap)
The sad but true story of what happened when independent artist Oskar Fischinger attempted to work on the “Toccata and Fugue” sequence of Walt Disney’s FANTASIA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . by William Moritz

31 IMAGE FACTORY—Painting With Light
Graphic animation takes a unique twist at Image Factory, where the simplest visual ideas bloom into dazzling beauty . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . by Gyorgy Beke

34 POETS OF THE SINGLE FRAME—New American Animators
These young artists are searching for new expressions of personal visions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . by Thelma Schenkel

38 ORSATTI PRODUCTIONS
Metric Man is the symbol of this company, completing the most thorough library of metric educational films in the U.S. . . . . . . . . . . . . . . . . . . . . . . . . . . . by Andrew Feiring

42 JOHN AND FAITH HUBLEY: Traditional Animation Transformed
For over twenty years, this famous animation husband-and-wife team have enriched traditional animation’s intent (delineating personality) by introducing a dazzling variety of techniques . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . by Mike Barrier

44 (BIG BLUE) MARBLE With a Message
The award-winning television show for children, whose philosophical aim is the expansion of kids’ horizons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . by Barry Levy

54 LOW-COST VIDEO ANIMATION—Eigen’s New Color Disc Recorder
How to achieve video animation for less than the cost of film animation and gain new ease in application . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . by Robert Rivlin

63 OX PRODUCTS
John Oxberry’s philosophy of inexpensive, high-quality animation products lives on in Mamaroneck! . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . by Karen Singer

Departments

Animation News . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . page 8
Quick Cuts by Stanley Kreshower . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . page 10
Close Ups: Ray Titis, John Gati, Mark Zander, Herb Stott . . . . . . . . . . . . . . . . . . . . . . . . page 48
Hot Spots . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . page 53
Books by John Canemaker . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . page 76
Contributors to this issue . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . page 80
FilmMart . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . page 82

Cover photos: (top) John and Faith Hubley, and their latest production, Everybody Rides a Carousel; (center) Raid commercial; Zander’s Animation Parlour; (bottom left) Image Factory’s opening spot for a new Viacom TV series, “Showtime”; (bottom right) Storyboard sketch for FANTASIA, done by Oskar Fischinger while working at Disney Studios in 1939. Courtesy of Mrs. Elfriede Fischinger.

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