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TABLE OF CONTENTS
12 CINEMATOGRAPHER SVEN NYKVIST
An interview with a man who is practically a legend in his own time . . . . . . . . . . . . . . . . . . . by Robert A. Ainsch & Larry Gross
18 ANIMATOR WARD KIMBALL
One of the greatest and most innovative animators to work at the Disney Studio . . . . . . . . . . . . . . . . . . . . . . . . by Ross Care
24 AVEX-1
At Multi-Track Magnetics, the horizons of audio-visual-edit systems are reaching new heights . . . . . . . . . . . . . . . . . . . . . . . . . . . . by Robert Rivlin
26 DIRECTOR BOB RAFELSON
One of the most original talents on the feature film scene, Bob Rafelson is also the most misunderstood . . . . . . . . . . . . . . . . . . . . . . by Ann Powell
32 CANNES FILM FESTIVAL
The big story this year was the remarkable group of Italian films, including Bertolucci’s five-hour epic 1900 . . . . . . . . . . . . . . . . . . by William Avery
34 NOSTALGIA FOR THE B’S
Are you tired of all those glossy, big-budget movies? If so, check out some of the films discussed here . . . . . . . . . . . . . . . . . . . . . . by John Dorr
40 DON SIEGEL
Currently directing The Shootist, veteran director Don Siegel talks about the problems of survival in a very brutal business . . . . . . . . . . . by Peter Stamelman
50 JOHN WAYNE’S WOMEN
Forget all those jokes about the Duke kissing his horse instead of the woman. Wayne is an authentic, enduring sex-symbol . . . . . . . . . . . . by John Mariani
54 SUPER-8
A close look at Super-8 Sound, the most ambitious and expert group of Super-8 manufacturers on the scene today . . . . . . . . . . . . . . . . by Gunther Hoos
76 LOOK BACK
Royal Flash is the film in which Richard Lester’s formula for period satire hilariously revives the art of the costume epic . . . . . . . . . . by Robert C. Simon
Trim Bin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . page 8
Close Up: Ron Jacobs, Lucy Salinger, Pete Miranda, Allan Dennis, Ron Scheffer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . page 46
Documentary Explorations by G. Roy Levin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . page 58
Cut-aways . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . page 70
Books in Review by Debra Goldman, George L. George . . . . . . . . . . . . . . . . . . . . . . . . . . . page 73
Filmmart . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . page 78
Cover: John Wayne in Don Siegel’s THE SHOOTIST. Photo courtesy Paramount Studios.