Description
Step into a nostalgic moment in American history with the July 3, 1948 issue of the Saturday Evening Post, featuring a captivating cover painted by renowned illustrator John Falter. This vintage magazine is more than just a publication; it is a time capsule that offers a glimpse into the culture and lifestyle of the late 1940s.
The magazine is in good overall condition, taking into account its age. The cover showcases beautiful artwork by John Falter, which may show some signs of wear and aging. This is typical for a magazine of this vintage. Interior pages, on the other hand, are well-preserved and feature minimal signs of aging. Each page holds clear and legible print, inviting readers to savor the content within.
Here are some key features and benefits of this vintage gem:
- Historical Significance: This edition provides insights into mid-20th century America, offering a unique perspective on the social and cultural themes of the time.
- Collectible Value: As a publication from a prestigious magazine, this issue is a great addition for collectors and history enthusiasts alike.
Interior Condition: The inside pages are well-maintained and intact, ensuring a delightful reading experience. There are no missing pages, which adds to the appeal of this collectible item.
General Condition: This magazine is overall in good vintage condition, considering its age. It serves as a wonderful piece for display or for one’s personal collection.
Cover Condition: The cover does show some visible signs of age and wear, reflecting its journey through time. We encourage you to review the photos for a closer look at its condition.
Once you hold this magazine in your hands, you'll appreciate not just its aesthetic value but also the nostalgia it brings. Capture a piece of history while enjoying the artistry and storytelling that defined the Saturday Evening Post.
Note: The content list below is digitally transcribed for searchability. Please refer to the photos for the exact Table of Contents.
Inside This Issue (Full Table of Contents):- 4 Short Stories
- TREASURE TRAP. — Don Waters
- HONEYMOON FOR THREE. — David Lamson
- THE PAY-OFF PUNCH. — Harry Neumann
- THE OTHER WOMAN. — Loretta Burrough
- 8 Articles
- LOOK WHAT HE’S DOING TO CHICAGO! — Charles B. Cleveland
- WAS AMBASSADOR OUMANSKY MURDERED? — Kirill Mikhailovich Alexeev
- DO CAMPAIGNS REALLY CHANGE VOTES? — George Gallup and William A. Lydgate
- MR. UNIVERSE. — John Durnat
- WE’LL HAVE FEWER CAVITIES NOW. — Jerome Ellison
- MY TWELVE YEARS WITH F.D.R. (Fifth of eight articles) — Harold L. Ickes
- BROADWAY’S HAPPY HARTMANS. — Maurice Zolotow
- TWO WEEKS WITH IKE. — Robert M. Yoder and Don Tobin
- 2 Serials
- TILL DEATH US DO PART (Conclusion). — John and Ward Hawkins
- NO ESCAPE (Conclusion). — Clarence Budington Kelland
- Other Features
- LETTERS.
- KEEPING POSTED.
- REPORT TO THE EDITORS.
- POST SCRIPTS.
- VERSE.
- EDITORIALS.
- This Week’s Cover
- The men John Falter used as models for his golf painting will be surprised at what has happened to the course. The golfers were playing a course near Phoenix, Arizona. Falter added trees he thought would look more general. The result is a Western course with Eastern trees, and it’s a wonder anybody can win there. Falter thinks all the men he painted are giants of industry, and we would identify them, but for the fact that Falter probably moved faces and figures around. The trouble with a picture like this is that it leaves everybody wondering if the sand-trapped gent got out. If an artist can take liberties with the scenery, then we can give you the ending. He laid that shot right into the cup, making the rest of them look like amateurs.