Description
Step back in time with this collectible issue of the Saturday Evening Post magazine from June 21, 1952. This vintage gem features the iconic artwork of Harry McDermott and captures a snapshot of American culture in the early 1950s. With no label, this edition is perfect for collectors and enthusiasts alike.
As you delve into its pages, you'll discover a range of intriguing articles, advertisements, and illustrations that reflect the societal norms and interests of the era. This magazine is more than just a reading material; it’s a piece of history.
When you receive this magazine, rest assured that it is exactly as pictured in this listing. We understand that condition matters, so please examine the photo for your own evaluation. We are committed to providing an authentic experience for our buyers.
- Combined Shipping: We offer combined shipping on multiple purchases, making it easy to expand your collection without breaking the bank.
- Protective Packaging: All of our items come carefully wrapped in a plastic protective covering to ensure they arrive in excellent condition.
This June 1952 edition of the Saturday Evening Post is not just a magazine; it’s a time capsule filled with nostalgia. Whether you are a collector looking to enhance your collection, or simply want to relive the charm of the 1950s, this magazine is a must-have.
Don’t miss your chance to own a piece of history. Grab this collectible magazine now and enjoy the journey into the past!
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Note: The content list below is digitally transcribed for searchability. Please refer to the photos for the exact Table of Contents.
Inside This Issue (Full Table of Contents):- 4 Short Stories
- The Orphan — Leon Ware
- Man from the Tall Timber — Georges Carrousse
- Let’s Drop the Whole Thing — Sue Kaufman
- The Marriage That Couldn’t Succeed — Conrad Richter
- 7 Articles
- I Cased Stalin’s Back Yard — Phil Gustafson
- The Truth About the Florida Race Troubles — Joe Alex Morris
- Every Girl’s a Queen — William L. Worden
- Have the Bonus Boys Paid Off for Baseball? — Harry T. Paxton
- The Candid Congressman from Connecticut — T. E. Murphy
- Is This Robinson Crusoe’s Island? — Evan M. Wylie
- The Morey Case: Why Did They Kill? (Second of four articles) — John Bartlow Martin
- 2 Serials
- The Hunted Woman (First of six parts) — Martha Albrand
- One Murder Too Many (Fifth of six parts) — Edwin Lanham
- Other Features
- Letters
- Editorials
- Keeping Posted
- Post Scripts
- Verse
- This Week’s Cover
- George Hughes was looking around Arlington, Vermont, for a cover and suddenly there appeared this young gentleman, Harry McDermott, complete with that cap, that leash and that blend of dogdom. Hughes must live right. Indeed, so must Harry, for now among all American youth finds himself symbolizing the truth that a boy is a dog’s best friend. He does it with those coins, which mean love, as evidently they came from doing chores—a fate almost worse than death to well-adjusted lads. By and by this boy’s interest will shift to another window marked Marriage Licenses—but let’s stick to dogs. Artist Hughes has a dog, Luke, and a cat, Tom, and Luke chases Tom. That’s queer. A cat named Tom usually chases a dog named Luke.