Description
Step back in time with the iconic Saturday Evening Post Magazine from June 6, 1953. This edition features a captivating cover illustration by George Hughes, showcasing the delightful character of Miss Brushley. The Saturday Evening Post has been a staple of American culture since its inception, and this vintage magazine is a fantastic piece for collectors and enthusiasts alike.
This magazine not only highlights beautiful artistry but also serves as a window into the social and cultural fabric of the 1950s. Each page is filled with engaging articles, advertisements, and stories that reflect the lifestyle and interests of the time. If you are looking to add a touch of vintage charm to your collection or simply want to explore the history of American publishing, this magazine is a must-have.
Key Features:
- Authentic 1953 Vintage Magazine: This original copy brings a piece of history into your home.
- Protective Covering: Each magazine comes with a plastic protective cover to help preserve its condition.
The listing includes an actual image of the magazine for your review, ensuring you receive exactly what you see. Please check the picture for condition purposes. There are some rips, which can be seen in the photos provided. Our commitment is to transparency, and we want you to feel confident in your purchase.
We do offer combined shipping, so feel free to ask if you are interested in purchasing multiple items. Our shipping practices ensure that every piece arrives safely at your doorstep.
Embrace nostalgia and experience the allure of the 1950s with this charming Saturday Evening Post Magazine. Whether for display, collection, or simply to flip through, it is sure to delight any fan of vintage media!
Note: The content list below is digitally transcribed for searchability. Please refer to the photos for the exact Table of Contents.
Inside This Issue (Full Table of Contents):-
4 Short Stories
- No Thanks From the Lady — Steve McNeil
- Police Emergency! — Ferrin Fraser
- The Rube Nobody Could Hit — Boston Herndon
- Tales of the Valorously Virginians—Why Stonewall Came Back — James Warner Bellah
-
8 Articles
- Why Did It Happen: The Riot at Jackson Prison (First of four articles) — John Bartlow Martin
- I’ve Had a Thousand Babies — Siri Ostlund, as told to Jerome Ellison
- They’re Trying to Make Summer Extinct — Rufus Jarman
- These Russians Are on Our Side — James P. O’Donnell
- They Go Carnival Crazy in Trinidad — Joe Alex Morris
- Lindbergh’s Own Story: 33 Hours to Paris (Ninth of ten articles) — Charles A. Lindbergh
- The Star Who Sneers at Hollywood — Pete Martin
- Why Doesn’t Texas Join the Union? — George Sessions Perry
-
2 Serials
- The Case of the Missing Corpse (Second of eight parts) — Edwin Lanham
- To Live Forever (Conclusion) — Paul Gallico
-
Other Features
- Letters
- Editorials
- Post Scripts
- Verse
- Keeping Posted
-
This Week’s Cover
- Judging from Silas Artritic’s facial convulsion, he is trying to locate a mountain that looks like the one Miss Brushley has painted. Or maybe he is grieving because Miss B. has reproduced a cow so that it resembles a kangaroo. Or possibly she has gone modernistic on the poor man and painted his grass red. As for Miss B., having stepped back to see the thing as a whole, she looks pretty befuddled too. To round out the confusion, George Hughes says he doesn’t know whether she has done a good job or not because he can’t see her painting any more than you can. Our own feeling about the situation is that the best scenery for Miss B. to paint is a self-portrait, and that Mr. A. better go to work before he breaks his neck.