Cover of Saturday Evening Post Magazine March 8, 1958 featuring a captivating illustration by artist Amos Sewell, depicting two gentlemen at a construction site with a humorous sign reading 'Detour'.
Interior page of the Saturday Evening Post Magazine March 8, 1958 detailing the table of contents, including articles and features from the era, showcasing mid-century American culture.
Advertisement page from the Saturday Evening Post Magazine March 8, 1958 presenting a Marlboro cigarette ad featuring a well-dressed man with a cigarette and a stylish woman in the background.
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Cover of Saturday Evening Post Magazine March 8, 1958 featuring a captivating illustration by artist Amos Sewell, depicting two gentlemen at a construction site with a humorous sign reading 'Detour'.Interior page of the Saturday Evening Post Magazine March 8, 1958 detailing the table of contents, including articles and features from the era, showcasing mid-century American culture.Advertisement page from the Saturday Evening Post Magazine March 8, 1958 presenting a Marlboro cigarette ad featuring a well-dressed man with a cigarette and a stylish woman in the background.

Saturday Evening Post Magazine March 8 1958 Gentlemen - Amos Sewell GD Interior

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Price:
$19.95
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Description

Step into the nostalgia of mid-century America with the Saturday Evening Post Magazine from March 8, 1958. This charming issue embodies the classic aesthetics and literature of the time, featuring a captivating cover illustration by the renowned artist Amos Sewell. Perfect for collectors, history buffs, or anyone looking to relive the elegance of the past, this magazine is a delightful time capsule.

Inside, you’ll find a collection of articles and stories that reflect the societal norms and cultural highlights of 1958. The magazine is not just a piece of history; it offers a glimpse into the interests and perspectives of Americans during that vibrant decade. With its detailed narratives and engaging illustrations, it's a fantastic read for those who appreciate vintage publications.

Interior Condition: The inside pages are well-preserved and in excellent condition. Expect minimal signs of aging, with no missing pages, ensuring that all text is clear and legible for an enjoyable reading experience.

General Condition: Overall, the magazine is in good vintage condition, especially for its age. It retains much of its original charm and appeal, making it a noteworthy addition to any collection.

Cover Condition: While the cover exhibits signs of wear typical of magazines from this era, it remains an acceptable condition for collectors. [Please see photos]

Key Features:

  • Authentic period content with timeless appeal, perfect for vintage enthusiasts.
  • Stunning artwork by Amos Sewell, adding aesthetic value to your collection.

Don't miss out on the chance to own this iconic piece of American culture. Whether you are looking to reminisce or simply want a unique decorative item, this Saturday Evening Post Magazine from March 8, 1958 is the ideal pick.

Note: The content list below is digitally transcribed for searchability. Please refer to the photos for the exact Table of Contents.

Inside This Issue (Full Table of Contents):
  • SHORT STORIES
    • Bold Loser — Joan Sanders
    • River of Riches — Gerald Kersh
    • Willing Victim — Robert Carson
    • Battle for a Soul — Robert Standish
  • ARTICLES
    • Charlie Chaplin’s Stormy Exile (First of three articles) — James P. O’Donnell
    • Children Scare Me! — James A. Maxwell
    • What Makes a Man a Fighter? — Nathan Hare, as told to W. C. Heinz
    • Will We Get Burned in the Sahara? — Ernest O. Hauser
    • “I Want My Money Back!” — Rout Tunley
    • On My Own, Conclusion: Of Stevenson, Truman and Kennedy — Eleanor Roosevelt
    • The Face of America: Tight Corners — Photograph by Jack Fields
  • SERIALS
    • Terror in the Streets (First of two parts) — Richard Stern
    • The Case of the Footloose Doll (Sixth of eight parts) — Erle Stanley Gardner
  • OTHER FEATURES
    • Letters
    • Editorials
    • Post Scripts
    • Verse
    • Keeping Posted
  • THE COVER
    • Amos Sewell’s gentlemen could be saying, “Shall I ignite your cheroot, Lord Cholmondeley?” “Frightfully good of you, old boy.” The lads are light-hearted; and that’s enough punning for a while. That cigarette lighter is called a kerosene bomb; the chain is to carry it with, but don’t toast your fingers; neither rain, nor snow, nor wild, wild wind will extinguish it, so next day it will be smothered with a wad of cloth. Imagination, by straining some, can picture a kerosene bomb as a cute cigarette lighter for the living-room coffee table—how cozy, on a winter evening, to gaze into its flame, as into a dancing flame on the hearth. In summer it could be lighted on the lawn to lure mosquitoes off the patio; or would that fill the air with all the bugs on the block?

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