Description
If you’re a collector of vintage magazines or simply an admirer of the rich history of publications, take a look at this remarkable issue of the Saturday Evening Post from November 3, 1956. This magazine features a captivating ballet-themed cover illustrated by the talented Hughes, giving it a graceful touch that’s sure to appeal to ballet enthusiasts and art collectors alike.
The interior of this magazine is in good condition, showcasing the timeless stories and advertisements that were part of American culture in the 1950s. The pages are well-preserved, featuring clear and legible print with minimal signs of aging. You won’t find any missing pages here, making it a complete addition to your collection.
General condition for this vintage issue is commendable, especially considering its age. While the cover shows visible signs of wear and age, it retains its charm and historical value. Please refer to the photos for a closer look at the cover condition.
This magazine not only serves as a beautiful piece of decoration but also as a window into the past, reflecting the artistic styles and cultural narratives of its time. It’s a perfect conversational piece for your living room or study.
Here are some key features of this November 1956 issue:
- Classic ballet-themed cover art by renowned artist Hughes.
- Well-preserved pages with rich historical content from the mid-20th century.
Don’t miss out on adding this vintage gem to your collection. It’s more than just a magazine—it’s a piece of history waiting for you to cherish and enjoy.
Note: The content list below is digitally transcribed for searchability. Please refer to the photos for the exact Table of Contents.
Inside This Issue (Full Table of Contents):-
Short Stories
- Summer Idyll — Maxine Lane
- Flash Fire — Oliver La Farge
- Boots and the Mad Mountaineer — William Hazlett Upson
- Broadway Calling — Louis Paul
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Articles
- Confessions of “an S.O.B.” (First of four articles) — Drew Pearson
- Cities of the World (No. 25) Istanbul — James P. O’Donnell
- Oklahoma’s Little Round Coach — Al Dewen
- Ike, Mamie and the Neighbors — Rowland T. Moriarty and Frederick A. McCord
- Inside the Asylum, Part V: “Why Am I Here, Doctor?” — John Bartlow Martin
- The Face of America: Autumn Magic — Photograph by Arthur Griffin
- My Life in Two Worlds — Haru Matsukata
- He Collects Noises — Robert M. Yoder
- We Must Shoot More Deer — Robert Crichton
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Serials
- The Secret of Shining Brook (Second of eight parts) — Clarence Budington Kelland
- The Guns of Navarone (Seventh of eight parts) — Alistair MacLean
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Other Features
- Letters
- Editorials
- Post Scripts
- Verse
- Keeping Posted
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The Cover
- Today’s youngsters have fun pursuing the exquisite art of the ballet, and that’s better than the older childhood art of trying to walk the top of a fence without taking a header. Ballet steps all stem from five basic foot positions; these relate to beauty and aren’t practical for, say, standing before a kitchen sink. George Hughes’ lassies are taking off into a plié (knee bend), essential for elevation in the air and for ballon (lightness while up there). On another wall of that studio must be a barre (bar) to hang onto for warm-up practicing, somewhat as baseball players warm up before a game—only they bat with their barres. One or two of these girls may become ballerinas; most will become homemakers; and if any can manage to do both, how fulfilling that will be.