The New Yorker Full Magazine February 6, 1971 Charles E. Martin Cover


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The New Yorker Full Magazine – February 6, 1971 (Charles E. Martin Cover, Good Condition)

The condition of the item is in good condition. The item pictured in this listing is exactly the same item you will receive. Please check all photos for condition purposes.

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This original February 6, 1971 issue of The New Yorker features a cover illustration by Charles E. Martin, the distinguished artist renowned for his minimalist, modern, and often playful depictions of urban life. His clean visual style and subtle humor became a hallmark of The New Yorker’s classic aesthetic throughout the mid-20th century.

This issue features a diverse range of fiction, poetry, essays, and commentary from the magazine’s most respected contributors, including Elizabeth Cullinan, Pauline Kael, and E. J. Kahn, Jr.

Table of Contents:

THE TALK OF THE TOWN – p. 23
“Only Human” – Elizabeth Cullinan – p. 28
“Tidings” (Poem) – Alastair Reid – p. 30
“The Magic Curtain” (Poem) – Stanley Kunitz – p. 34
“Metropolitan New York Points of Interest” – James Stevenson – p. 38
Profiles (Algernon Charles Swinburne and Walter Theodore Watts-Dunton—III) – Mollie Panter-Downes – p. 40
The Theatre – Brendan Gill – p. 72
  Off Broadway – Edith Oliver – p. 72
The Race Track – Audax Minor – p. 74
“Idyll, with Siren” (Poem) – Jon Swan – p. 75
Annals of Law (A False Arrest) – E. J. Kahn Jr. – p. 76
The Current Cinema – Pauline Kael – p. 89
Musical Events – Winthrop Sargeant – p. 93
Books – Jeremy Bernstein – p. 95
  Briefly Noted – p. 98

Cover: Charles E. Martin

Drawings by: Alan Dunn, Dana Fradon, Charles Saxon, Boris Drucker, Stan Hunt, Whitney Darrow Jr., Robert Weber, Warren Miller, Al Ross, Barney Tobey, William O’Brian, Henry Martin, Lee Lorenz, Edward Frascino, Frank Modell, J. B. Handelsman

A classic collectible for The New Yorker enthusiasts and admirers of Charles E. Martin’s clean and witty artistry, this issue captures the magazine’s signature blend of sophisticated humor, literary depth, and insightful cultural observation from the early 1970s.

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