The New Yorker Full Magazine January 8, 1972 Charles Addams Cover VG


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Description

The New Yorker Full Magazine – January 8, 1972 (Charles Addams Cover, VG Condition)

The condition of the item is in very good condition with only minor wear on the edges. The item pictured in this listing is exactly the same item you will receive. This vintage issue is in excellent shape for its age—please review all photos for detailed condition information.

We do offer combined shipping, just ask.
All of our items come with a plastic protective covering for preservation.
Minor wear on edges. See photos.

This original January 8, 1972 issue of The New Yorker features a classic cover illustration by Charles Addams, the legendary cartoonist best known for creating The Addams Family. The issue offers a diverse and compelling mix of fiction, essays, commentary, and poetry from some of the era’s most distinguished contributors, including S. J. Perelman, J. William Fulbright, Mavis Gallant, and Pauline Kael.

Table of Contents:

THE TALK OF THE TOWN – p. 25
“Around the Bend in Eighty Days”—II – S. J. Perelman – p. 30
“On Fourteenth Street” (Poem) – Douglas Morea – p. 32
“O Lasting Peace” – Mavis Gallant – p. 34
“The Rain Guitar” (Poem) – James Dickey – p. 36
Reflections (U.S. Foreign Policy Since 1945) – J. William Fulbright – p. 41
The Theatre – Brendan Gill – p. 63
U.S. Journal: East Hampton, L.I. – Calvin Trillin – p. 64
“I Thing” – J. B. Handelsman – p. 72
“Nomad” (Poem) – Dabney Stuart – p. 73
The Current Cinema – Pauline Kael – p. 74
Musical Events – Winthrop Sargeant – p. 81
Books – Brendan Gill – p. 83
  Briefly Noted – p. 84

Cover: Charles Addams

Drawings by: Warren Miller, Robert Weber, Everett Opie, Frank Modell, George Booth, James Stevenson, Alan Dunn, Charles Barsotti, Lee Lorenz, J. B. Handelsman, Whitney Darrow Jr., Mischa Richter, William Hamilton, Stan Hunt, Edward Frascino, William Steig, Dana Fradon

A must-have for collectors and fans of The New Yorker, this issue highlights Charles Addams’ distinctive humor and artistry, paired with the magazine’s trademark blend of literature, satire, and cultural insight from the early 1970s.

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