The New Yorker Full Magazine June 9, 1975 Paul Degen Cover VG


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Description

The New Yorker Full Magazine – June 9, 1975 (Paul Degen Cover, VG Condition)

This vintage issue of The New Yorker magazine, dated June 9, 1975, features a striking and imaginative cover illustration by Paul Degen, known for his clever visual storytelling and surreal humor. The magazine is in very good condition, showing minor wear on the edges consistent with age. The item pictured in this listing is exactly the same item you will receive.

This copy is well preserved and remains in great shape for its age. Please see detailed photos for a clear assessment of its condition.

We offer combined shipping upon request, and all magazines are shipped in a plastic protective covering to ensure safe handling and long-term preservation.


Table of Contents

THE TALK OF THE TOWN – 29
"Ten" – W. S. Merwin – 34
"Baby Blue" – Edna O’Brien – 36
"The Dependencies" (Poem) – Howard Nemerov – 40
"The Last Bicentennial Minute" – Ralph Schoenstein – 43
Profiles (Betty Parsons) – Calvin Tomkins – 44
"Owl" (Poem) – Vickie Karp – 46
The Theatre (Off Broadway) – Edith Oliver – 67
The Race Track – Audax Minor – 68
Reflections (The Nixon Years—II) – Jonathan Schell – 70
Dancing – Arlene Croce – 112
"Sisyphus" (Poem) – David Galler – 116
The Current Cinema – Penelope Gilliatt – 117
Musical Events – Andrew Porter – 122
Books (Briefly Noted) – 126

Cover: Paul Degen

Drawings by: Robert Day, William Steig, Warren Miller, Lee Lorenz, Edward Koren, Charles Addams, Charles Barsotti, Dean Vietor, William Hamilton, Al Ross, Henry Martin, Saul Steinberg, Edward Frascino, Ed Fisher, George Booth, James Stevenson, Stan Hunt, Donald Reilly, Joseph Mirachi, Dana Fradon, Frank Modell, Everett Opie, Arnie Levin


This issue exemplifies The New Yorker’s enduring tradition of literary sophistication and artistic excellence. Featuring works by W. S. Merwin, Edna O’Brien, Jonathan Schell, and Calvin Tomkins, it stands as a compelling collectible that captures the magazine’s distinctive voice and the cultural mood of the mid-1970s.

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