Description
The New Yorker Full Magazine – November 1, 1976 (Charles Saxon Cover, VG Condition)
This vintage issue of The New Yorker magazine, dated November 1, 1976, features a classic and witty cover illustration by Charles Saxon, celebrated for his sophisticated and humorous portrayals of modern American life. The magazine is in very good condition, showing minor wear on the edges consistent with age. The item pictured in this listing is exactly the same item you will receive.
This copy has been well preserved and remains in great shape for its age. Please see detailed photos for a full view of its condition.
We offer combined shipping upon request, and each issue is shipped with a plastic protective covering to ensure careful handling and long-term preservation.
Table of Contents
THE TALK OF THE TOWN – 35
"A Fact Sheet on the Coming Crunch" – Gerald Jonas – 41
"The World in a Room" – Henry Bromell – 42
"Assembly" (Poem) – W. S. Merwin – 46
Onward and Upward with the Arts (Pet Food) – Thomas Whiteside – 51
"Wolf’s Point, 1831" (Poem) – Norman Dubie – 52
The Theatre – Brendan Gill – 99
Football – J. W. L. – 101
"Writing Your Love Down" (Poem) – Laura Jensen – 102
Letter from Stockholm – Steven Kelman – 104
Musical Events – Andrew Porter – 128
Concert Records – Winthrop Sargeant – 132
The Art World – Harold Rosenberg – 136
The Current Cinema – Pauline Kael – 145
Letter from Washington – Richard H. Rovere – 151
The Race Track – Audax Minor – 157
Books – V. S. Pritchett – 161
Briefly Noted – 164
Cover: Charles Saxon
Drawings by: Lee Lorenz, Charles E. Martin, Edward Koren, Everett Opie, James Stevenson, Mischa Richter, Anthony Taber, Edward Frascino, Warren Miller, Mort Gerberg, Donald Reilly, Dana Fradon, Stan Hunt, Saul Steinberg, Niculae Asciu, George Booth, Dean Vietor, William Hamilton, Mario Micossi, Joseph Mirachi, Jack Ziegler, Arnie Levin, Al Ross, Bernard Schoenbaum
This issue captures The New Yorker’s hallmark blend of sharp commentary, literary artistry, and visual wit. With contributions from W. S. Merwin, Pauline Kael, Harold Rosenberg, and V. S. Pritchett, it stands as a collectible reflection of the magazine’s cultural and intellectual excellence in the mid-1970s.