The New Yorker Full Magazine November 18, 1972 Arthur Getz Cover


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The New Yorker Full Magazine – November 18, 1972 (Arthur Getz Cover, Good Condition)

The condition of the item is in good condition. The item pictured in this listing is exactly the same item you will receive. Please check all photos for condition purposes.

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This original November 18, 1972 issue of The New Yorker features a cover illustration by Arthur Getz, one of the magazine’s most prolific artists whose atmospheric and painterly covers captured New York life for over four decades. The issue contains a wide range of essays, fiction, poetry, and commentary by noted contributors including James Stevenson, John Updike, and Pauline Kael.

Table of Contents:

THE TALK OF THE TOWN – p. 45
“Environmental Impact (Illusions, Wonders & Disappearing Acts)” – James Stevenson – p. 51
“Good Riddance” (Poem) – Mark Van Doren – p. 52
“Marvin Stanley Pigeon” – Thomas Meehan – p. 53
Profiles (Mabel Mercer) – Whitney Balliett – p. 55
“Voyage in the Blue” (Poem) – John Ashbery – p. 60
The Theatre – Brendan Gill – p. 69
Football – J. W. L. – p. 71
Annals of Exploration (Apollo 13 Accident—II) – Henry S. F. Cooper Jr. – p. 75
On and Off the Avenue (Christmas Gifts for Women) – p. 168
Musical Events – Andrew Porter – p. 199
  Concert Records – Winthrop Sargeant – p. 206
U.S. Journal: The Coastline – Calvin Trillin – p. 215
The Current Cinema – Pauline Kael – p. 225
Letter from Washington – Richard H. Rovere – p. 233
The Race Track – Audax Minor – p. 238
Books – John Updike – p. 242
  Briefly Noted – p. 245

Cover: Arthur Getz

Drawings by: James Stevenson, Robert Weber, Whitney Darrow Jr., Edward Koren, Lee Lorenz, Alan Dunn, Frank Modell, Charles E. Martin, J. B. Handelsman, Charles Saxon, Mischa Richter, Warren Miller, Joseph Mirachi, Stan Hunt, Henry Martin, James Mulligan, Dana Fradon

A classic collectible for The New Yorker enthusiasts and admirers of Arthur Getz’s timeless illustrations, this issue captures the publication’s signature mix of literary excellence, cultural insight, and visual artistry from the early 1970s.

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