Cover of The Paris Review Magazine Fall 2002 No. 163 featuring an artwork of two figures walking together, symbolic of companionship and literary exploration, in very good condition.
The Paris Review Magazine Fall 2002 No. 163, featuring a colorful abstract art cover with a figure in a suit, reflecting the artistic essence of the issue.
Inside The Paris Review Magazine Fall 2002 No. 163, showcasing the editorial office details and a line drawing of a scenic view, highlighting the magazine's artistic presentation.
A page from The Paris Review Magazine Fall 2002 No. 163 displaying the table of contents, featuring a detailed list of interviews, fiction, poetry, and art for that issue.
An excerpt page from The Paris Review Magazine Fall 2002 No. 163, featuring the fiction piece 'Falstaff' by Benjamin Anastas, illustrating the magazine's literary contributions.
The back cover of The Paris Review Magazine Fall 2002 No. 163, featuring a minimalist design with the magazine's logo and a brief description of the published content.
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Cover of The Paris Review Magazine Fall 2002 No. 163 featuring an artwork of two figures walking together, symbolic of companionship and literary exploration, in very good condition.The Paris Review Magazine Fall 2002 No. 163, featuring a colorful abstract art cover with a figure in a suit, reflecting the artistic essence of the issue.Inside The Paris Review Magazine Fall 2002 No. 163, showcasing the editorial office details and a line drawing of a scenic view, highlighting the magazine's artistic presentation.A page from The Paris Review Magazine Fall 2002 No. 163 displaying the table of contents, featuring a detailed list of interviews, fiction, poetry, and art for that issue.An excerpt page from The Paris Review Magazine Fall 2002 No. 163, featuring the fiction piece 'Falstaff' by Benjamin Anastas, illustrating the magazine's literary contributions.The back cover of The Paris Review Magazine Fall 2002 No. 163, featuring a minimalist design with the magazine's logo and a brief description of the published content.

The Paris Review Magazine Fall 2002 No. 163 Guy Davenport No Label VG

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Description

The Paris Review Magazine – Fall 2002 – No. 163 – Guy Davenport | No Label | VG

This listing is for The Paris Review, Fall 2002, Issue No. 163, in very good condition with minor wear along the edges. The item shown in the listing photos is exactly what you will receive. Please inspect images for condition verification.

Each magazine is shipped in a plastic protective covering, and combined shipping is available upon request.

This issue features a celebrated interview with writer and illustrator Guy Davenport, a posthumously published exchange between Ezra Pound and Ernest Hemingway, and a compelling mix of fiction, poetry, and visual art.

INTERVIEWS

  • Guy Davenport – The Art of Fiction CLXXV (p. 42)

  • J.D. McClatchy – The Art of Poetry LXXXIV (p. 158)

FICTION

  • Benjamin Anastas – Falstaff, 193. (p. 1)

  • John Haskell – Capucine (p. 16)

  • Paul Maliszewski – After the Mailman (p. 48)

  • Nani Power – The Milqueweist Piece of Toast (p. 215)

  • José Saramago – The Cave (p. 241)

FEATURES

  • Ezra Pound & Ernest Hemingway – “Y” Letters Are Life Preservers (p. 296)

  • John Hall Wheelock – Literary Sketches (p. 220)

ART & ILLUSTRATION

  • Annie Coggan – Love Seats for Virginia Woolf (p. 137)

  • Cover Art by Kai Althoff – Untitled (Two Students)

  • Table of Contents Illustration by Kai Althoff – Untitled (Scene in Room with Bed)

  • Frontispiece by William Pène du Bois

POETRY
Includes works by:
John Ashbery, Molly Bendall, Joel Brouwer, Dan Chiasson, Katharine Coles, Patricia Corbus, Azezi, Susan Davis, Bryan D. Dietrich, B.H. Fairchild, Carol Vanderveer Hamilton, Karl Kirchwey, Eric LeMay, James Longenbach, Randall Mann, Thomas Pfau, John Poch, Kenneth Rosen, Michael J. Rosen, Robin Scofield, David Semanki, Don Share, Reginald Shepherd, Alison Stine, Elizabeth Brewster Thomas, and Roderick Townley.

Additional Information

  • Notice – p. 14

  • Notes on Contributors – p. 296

A diverse and intellectually rich volume, this issue balances historical significance with contemporary literary voices, making it an essential addition for collectors and readers of The Paris Review.

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