The Paris Review Magazine Spring 1992 No. 122 James Merrill No Label VG


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The Paris Review Magazine Spring 1992 No. 122 James Merrill – Very Good Condition, No Label

Issue No. 122 of The Paris Review (Spring 1992) features a remarkable blend of poetry, fiction, art, and literary insight. Central to this issue is The Plato Club, a compelling collaboration between James Merrill and David Jackson, offering readers a rare window into the mystical and imaginative. Interviews with Claude Simon and Yehuda Amichai expand on fiction and poetry's evolving roles, while a powerful mix of international voices shapes the issue’s literary core.

This copy is in very good condition, showing only minor edge wear typical for its age. The exact copy shown is the one you will receive, with a plastic protective covering included. Please refer to the photos for full condition detail.

Contents of Issue No. 122 include:

Interviews

  • Yehuda AmichaiThe Art of Poetry XLIV (p. 213)

  • Claude SimonThe Art of Fiction CXXVIII (p. 117)

Feature

  • James Merrill and David JacksonThe Plato Club (p. 14)

Fiction

  • Edward JonesMarie (p. 99)

  • George KonrádOn the Adolescence of Middle-aged Boys (p. 278)

  • Nancy LemannSportsman’s Paradise (p. 47)

  • Norman ManeaPortrait of the Yellow Apricot Tree (p. 178)

  • Jean RouaudAll Saints’ Day (p. 85)

Art

  • Jan GrooverLandscapes (p. 169)

Poetry
Featuring work by:

  • Yehuda Amichai, Henri Cole, Eugenio Montale, Tomaž Šalamun, Carl Phillips, Cynthia Zarin, Rodney Jones, Laurie Sheck, Baron Wormser, August Kleinzahler, Robert Bensen, Paul Keinz, Karl Kirchwey, Peter Redgrove, Alan Michael Parker, Gerrit Henry, Alfred Corn, Daniel Wolff, Thomas Lynch, Jaqueline Osherow, Robert Levy

Additional Features

  • Notes on Contributors (p. 295)

  • Frontispiece by William Pène du Bois

  • Cover by Edward Ruscha, Anchor in Sand, 1991 – lithograph

  • Table of contents illustration by Ford Beckman, Pop Painting, 1991 – mixed media

A highly collectible issue for fans of modern poetry and literary commentary, especially those interested in James Merrill's later works and the international voices of the early 1990s.

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