Description
If you're a fan of vintage publications, you'll love this issue of The Saturday Evening Post from February 22, 1947. This classic magazine features a fascinating article titled "Florida's Flossiest Hotel," which gives readers a glimpse into the luxurious lifestyle of Florida during that era.
This particular issue is not just a magazine; it's a piece of history that captures the charm of post-war America. Whether you're a collector or simply someone who appreciates nostalgia, this magazine will transport you back to a time when life was a bit simpler and the sun-soaked shores of Florida were a popular escape for many.
As for its condition, please note that the magazine shows some wear on the binding, which adds character to its age. We have attached high-quality images for you to assess the product's condition for yourself.
This collectible item is protected with a durable plastic covering, ensuring that it will remain in good condition for years to come. Additionally, we offer combined shipping options, allowing you to save on multiple purchases. Just reach out to us for details!
Here are some key features of this magazine:
- Historical Insight: Explore the opulence of Florida's premier hotels through engaging articles and captivating advertisements.
- Collector's Item: A perfect addition for memorabilia enthusiasts and a great conversation starter!
Check out the images below to see the item you will receive.
Don't miss out on owning a piece of history! This magazine not only showcases the beautiful aesthetics of early 20th-century publications but also serves as a fantastic gift idea for any enthusiast of American culture. Order yours today and add a touch of vintage elegance to your collection!
Note: The content list below is digitally transcribed for searchability. Please refer to the photos for the exact Table of Contents.
Inside This Issue (Full Table of Contents):-
4 Short Stories
- Massacre — James Warner Bellah
- Rookie Cop — B. J. Chute
- Swift in the Night — William Brown Moseley
- Look What Happens to Willie — Gene Morse
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10 Articles
- Will the CIO Shake the Communists Loose? (First of two articles) — Joseph and Stewart Alsop
- Singing Sam, the Cut-Rate Man — J. Roy Stockton
- Bird of Freedom — Herbert R. Southworth
- How It Looks to Ivan Ivanovich — Edgar Snow
- The Man Who Astonished the Educators — Arthur Throckmorton
- How Documents (Third of four articles) — Jules Archer
- Shall We Spend $2,000,000,000 More on the Colorado? — Edward Churchill
- Florida’s Flossiest Hotel — Theodore Pratt
- An Omen: The Icebergs — A Post cameraman reports on Alaska in a series of full-color photographs — Larry Reighley
- Never Heard of Joe Magarac? — Jules B. Billard
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2 Serials
- Barracuda (Second part of seven) — Richard Powell
- Woman in Black (Sixth part of seven) — Leslie Ford
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Other Features
- Letters
- Keeping Posted
- Report to the Editors
- Post Scripts
- Poetry
- Editorials
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This Week’s Cover
- One of the hazards of traffic in Washington, D. C., is the great number of tourists who can’t tell a brake from a bumper. When a taxi driver slams on his brakes and swears they will move to Pittsburgh, it was on such a self-conducted rubberneck tour that John Atherton, of Arlington, Vermont, came across the equestrian statue reproduced on our cover. The artist was moved by the statue there was the resolute General Washington, standing firm in storm-lashed times; indeed, of great anxiety. The spirit emanating from the sculpture and Atherton set about painting, and did so on canvas that is symbolic only by implication—Atherton put in the blizzard.