The Saturday Evening Post February 7, 1948 cover featuring urban winter scene with people skating and walking, showcasing illustration by John Falter.
Close-up view of The Saturday Evening Post February 7, 1948 cover highlighting details of people enjoying winter activities in a city setting.
Side view of The Saturday Evening Post February 7, 1948 cover revealing skaters and pedestrians in a bustling winter scene, painted by John Falter.
Interior page of The Saturday Evening Post February 7 1948 featuring the table of contents and advertisements, showcasing mid-century American culture.
Back cover of The Saturday Evening Post February 7 1948 with an advertisement for General Mills and a visual of a piece of bread, highlighting food-related themes in post-war America.
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The Saturday Evening Post February 7, 1948 cover featuring urban winter scene with people skating and walking, showcasing illustration by John Falter.Close-up view of The Saturday Evening Post February 7, 1948 cover highlighting details of people enjoying winter activities in a city setting.Side view of The Saturday Evening Post February 7, 1948 cover revealing skaters and pedestrians in a bustling winter scene, painted by John Falter.Interior page of The Saturday Evening Post February 7 1948 featuring the table of contents and advertisements, showcasing mid-century American culture.Back cover of The Saturday Evening Post February 7 1948 with an advertisement for General Mills and a visual of a piece of bread, highlighting food-related themes in post-war America.

The Saturday Evening Post February 7 1948 Big Noise in Indiana by Rufus Jarman

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Description

Step back in time to February 7, 1948, with this captivating issue of The Saturday Evening Post, featuring the intriguing story "Big Noise in Indiana" by the talented Rufus Jarman. This magazine is not just a piece of reading material; it's a historic artifact that showcases mid-century American culture, artistry, and storytelling.

This magazine offers a fascinating glimpse into the issues and interests of America post-World War II, making it a unique collectible for history enthusiasts and vintage magazine lovers alike. Complete with engaging articles and delightful illustrations, this edition is perfect for both nostalgic readers and modern collectors seeking to appreciate the evolution of print media.

When you purchase this magazine, you will receive the exact item pictured, complete with its original characteristics. Please note the presence of some creases on the front cover and within the pages, along with additional marks that add to its vintage charm. These details help tell the magazine's story and reflect its journey over the years.

  • Collectible Value: This edition is a significant piece for collectors, particularly those interested in mid-20th century American history.
  • Protective Packaging: Each issue is shipped with a plastic protective covering, preserving its condition and ensuring your collectible remains in the best possible state.

We also offer combined shipping for our customers, so feel free to ask if you are purchasing multiple items! This magazine not only enriches your collection but also serves as an excellent conversation starter.

Embrace the nostalgia and charm of this classic publication by adding "The Saturday Evening Post February 7, 1948" to your collection today!

Note: The content list below is digitally transcribed for searchability. Please refer to the photos for the exact Table of Contents.

Inside This Issue (Full Table of Contents):
  • 4 SHORT STORIES
    • Without Warning • Robert Murphy
    • The Girl Who Missed the Boat • Richard Stern
    • Little Joe Hits the Mark • R. Rose Amwell
    • The Poisoner • Bennett Foster
  • A FULL-LENGTH NOVELETTE (In Three Parts)
    • My Love Will Come (Part One) • Dorothy Cottrell
  • 8 ARTICLES
    • Prison Train • Richard English
    • Seattle Pioneers: A Bad Dream • Richard E. Neuberger
    • Big Noise in Indiana (First of two articles) • Rufus Jarman
    • I Have a Scar on My Heart • W. A. P. John
    • General Marshall’s Ace Trouble Shooter • Beverly Smith
    • The Man Who Hates Southpaws • Otis Smith
    • The Jungle League Gets Tough • Cleveland Amory
    • What Makes a Typhoon Tick? • Harold H. Martin
  • SERIAL
    • The King and the Corpse (Fourth of eight parts) • Max Murray
  • OTHER FEATURES
    • Letters
    • Keeping Posted
    • Report to the Editors
    • Post Scripts
    • Verse
    • Editorials
  • THIS WEEK’S COVER
    • The scene of John Falter’s painting is Central Park, New York. Falter is a country boy, and has always enjoyed strolling to him that there should be skating just across the way from big-city buildings. He has also been puzzled by the variety of skating costumes he sees on the ice in Central Park—ranging from the most colorful of outdoor clothing to the most sedate business outfit. The gent in the dark overcoat, for example, must have put his skates on during a meeting of the board of directors. “But the real reason I painted the cover,” Falter said, “was to see if I could paint as many windows. I figure that if everyone who lives behind all those windows would buy a copy of The Post, the issue would be a sellout.”

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