Description
Step back in time with the captivating issue of The Saturday Evening Post from July 3, 1948, which raises the intriguing question: Was Ambassador Oumansky murdered? This vintage magazine not only serves as a collectible but also as a piece of history that ignites curiosity about a vital topic from the post-war era.
This edition contains thought-provoking articles, stunning illustrations, and advertisements that reflect the cultural and social dynamics of the late 1940s. It’s a perfect addition for history buffs, collectors, or anyone intrigued by the mysteries of the past.
The item being pictured in this listing is exactly the same item you will receive.
Please check the picture for condition purposes.
We do offer combined shipping, just ask!
All of our items come with a plastic protective covering.
Creases. See photo.
Get your hands on this precious artifact and enjoy a window into the American past. Delve into articles that capture the essence of a time when international relations were complex, and every detail mattered. This issue poses essential questions about diplomacy and its challenges in a changing world.
As part of your collection, this magazine adds a unique touch. Bring history to your home or give it as a meaningful gift to a friend or family member.
- Unique Historical Value: Delve into a pivotal moment in history, allowing you to reflect on past events and their implications.
- Perfect for Collectors: This vintage issue enhances any collection and makes for a great conversation starter.
Don’t miss out on the chance to own this classic piece of Americana. Embrace history today!
Note: The content list below is digitally transcribed for searchability. Please refer to the photos for the exact Table of Contents.
Inside This Issue (Full Table of Contents):-
4 Short Stories
- Treasure Trap — Don Waters
- Honeymoon for Three — David Lamson
- The Pay-Off Punch — Harry Newman
- The Other Woman — Loretta Burroughs
-
8 Articles
- Look What He’s Doing to Chicago! — Charles B. Cleveland
- Was Ambassador Umansky Murdered? — Emil Wilhelmovich Alexeev
- Do Campaigns Really Change Votes? — George Gallup and William L. Aydelotte
- Mr. Universe — John Durant
- Well, Have Fewer Cavities Now — Jerome Ellison
- My Twelve Years With F.D.R. (Fifth of eight articles) — Louis L. Howe
- Broadway’s Happy Hartmans — Maurice Zolotow
- No More With Pay — Robert M. Yoder and Don Tobin
-
2 Serials
- Till Death Us Do Part (Conclusion) — John and Ward Hawkins
- No Escape (Conclusion) — Clarence Budington Kelland
-
Other Features
- Letters
- Keeping Posted
- Report to the Editors
- Post Scripts
- Verse
- Editorials
-
This Week’s Cover
- The men John Falter used as models for his golf painting will be surprised at what has happened to the course. The golfers were playing a course near Phoenix, Arizona. Falter added trees to the background, took more general Western colors with Easter rain, and it’s a wonder anybody can win there. Falter thinks all the men he painted against industry, and we would identify them but for the fact that Falter probably moved faces and figures around. The trouble with picture like this is that it leaves everybody wondering if the sand-trapped gent got it. If an artist can take liberties with the scenery, then we can give you the ending. He laid the shot right into the cup, making the rest look like amateurs.