This September 1955 issue of Vogue features Renée Breton, photographed by Henry Clarke, and celebrates the season’s couture revival with an extensive look at the Paris and American fall collections. A hallmark of mid-1950s refinement, this issue captures the era’s transition into structured silhouettes, fur accents, and the rise of the modern suit.
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TABLE OF CONTENTS
PARIS COLLECTIONS
181 Vogue’s eye view of the rising hat: the casque
182–205 The rise of an alluring new look
AMERICAN FASHION
208 American collections report
209 Pillars of the Traina-Norell collection
210 Belted sheath-jacket suits; capes revived
212 Longer in America: short evening skirts
214 This autumn’s fashion news—arriving by car
216 The new American suit—a mere everything
218 Fur news—from a great American fur collection
222 New suit lines, lightly furred
224 Fur-trimmed coats; surprise fur linings
226–229 New lines—looking knitted
230 Small new suits and slighter greatcoats
236 New suit ensembles
238–241 New greenery in late-day fashion
242–245 Sweatered dinner dresses
246 Changing for dinner—Vogue Patterns
248 Young wardrobe for a young star
256 Mrs. Exeter’s list
FEATURES • ARTICLES • PEOPLE
72 “Three Cheers for Old Nassau.” By Kate Sproehnle
206 “What Have I Been Doing All This Time?” By Sylvia Wright
220 Rossano Brazzi
221 People Are Talking About . . .
232 Early Arrivals
248 Young actress: Phyllis Kirk
250 Gossipy Memo on Travel
252 “Francisca’s Third Baby.” By William Keefe
258 “Elba, Happy Exile.” By Siriol Hugh Jones
261 “From British Royal Kitchens.” By Elizabeth Craig
BEAUTY
234 People Are Talking About Discoveries in Beauty
DEPARTMENTS
170 Vogue’s Travelog
171–173 Vogue’s School Directory
174–177 Shop Hound
This Vogue issue is a mid-1950s fashion time capsule, balancing the elegance of Paris couture with the practicality of American design. Highlights include Traina-Norell’s precision tailoring, fur innovations, and Vogue’s signature blend of style reportage and literary flair. An excellent collectible for enthusiasts of postwar fashion and Henry Clarke’s golden-age photography.













